“The
ordinary arts we practice everyday at homes are of more importance to
the soul than their simplicity might suggest.” ~Sir Thomas More
The
ordinary arts we practice everyday at home…
Herbalism
is an ‘art’ that would have been practiced by most women, rather
than men, especially midwives. The knowledge would have been passed
from mother to daughter. Gardening would also have been an art that
noble women would have practiced on a regular basis. Roses were
readily available within surrounding gardens and were used for
poultices, tinctures and perfumes.
…are
of more importance to the soul…
For
the majority of Catholics within the 15th
century, the praying of the rosary/pater noster was part of their
daily routine. According to Miller, such tradition may have begun in
the 12th
century with Peter the Hermit, though the more commonly held belief
is that the rosary was given to St. Dominic by the Virgin Mary
herself in 1214,
but
there is no documented origin. The praying of the rosary would have
been of great importance within the era of my persona as the
Reconquista
,the reclamation of the area we know as Spain from the Moors, would
have just been victorious and this was the era just prior to the
Spanish Inquisition, which sought to punish all those who were not
‘true’ Christians. My persona comes from within the state that is
home to one of the holiest pilgrimage sites within Europe (Santiago
de Compostela) at the time.
Praying
the rosary was a way for people to focus their minds on prayer, the
beads used as a means of keeping track of the number of prayers.
Their length has varied over the centuries from 2 to 200 beads, many
being 150 to represent the Psalms. The variation I have made is seen
within the Jan Van Eyck painting The
Arnolfini Marriage
as it is a clear representation of paternosters of the time (see copy
at the end).
…than
their simplicity might suggest.
A
strand of beads made from ground up rose petals, flour and water,
very simple and easy to create. They do not need to be baked, only
left to ‘cure’. This method eliminates the need for any
specialized training or access to a bake oven, neither of which my
persona would not have had.
The
paternoster is an earlier version of what we now know as the rosary.
The Pasternoster was named for the ‘Our Father’ prayer (the Pater
Noster). The Ave Maria prayer was added in the late 12th
century. It is unclear when the names became interchangeable.
Why
roses?
While
there is no evidence to support that roses were indeed used to make
beads due to the fact that they were not baked and would have been
very fragile, there is much to be said about the symbolism of the
rose in relation to the rosary.
~“The
name ‘rosary’ (referring to a rose garden or a wreath) comes from
legend. In this legend, a band of robbers observed how a monk was
telling his beads by the roadside. Each prayer fell from his lips as
a rose, and the Virgin Mary herself gathered up the roses and formed
them into a garland for her head.” The
Medieval Rosary by
Aelflaed of the Weald
~Mary
is the ‘rose of roses’. “Cantiga X” from the Cantigas
de Santa Maria
~
In the Middle Ages, the symbol of joy was the rose. To crown one's
head with a garland of roses (a chaplet) was a sign of joy. The
Virgin Mary was even called "a garden of roses." In
medieval Latin, a garden of roses is rosarium. The salutations were
conceived of as so many spiritual roses presented to the Virgin Mary
by fashioning for her a crown, a chaplet. In return, our Lady would
place upon the heads of her children an invincible diadem of roses,
of spiritual graces. http://olrl.org/sacramental/rosary.shtml
~St.
Gregory, at the end of the fourth century, spoke of such a method of
devotion in veneration of the Blessed Virgin Mary. This pious bishop
thought a wreath of spiritual r6ses would be more pleasing to the
blessed Virgin than the natural roses with which the faithful adorned
her altar. He selected, therefore, a number of prayers, in praise of
the blessed Virgin, and united them into a wreath. And this was the
origin of the Rosary, woven by pious hands for the veneration of
Mary, the mystical rose. http://philomena.org/origins.asp
Materials
used
5
parts Dried full-bloom rose petals
2
parts Boiled water
1
part Flour
~Boil
the 2 parts water then pour over 2 parts of dried rose petals and let
steep for 15 minutes, strain and cool.
~Take
the other 3 parts of the petals and rub over a fine metal screen. Do
not worry if there are some small chunks left, they add texture.
~Mix
together the ground up petals and one part flour. Slowly add the
rose tea until you have a cohesive, not runny, paste. Form into
small beads, making sure to pierce a hole.
~Leave
in a cool, dark place to cure for a minimum of three days.
Sources
Miller,
John D. Beads
and Prayers: The Rosary in History and Devotion.
Burns and Oates: London, 2002.
Winston-Allen,
Anne. Stories
of the rose: the making of the rosary in the Middle Ages.
Pennsylvania University Press: University Park, 1997.
The
Medieval Rosary by
Aelflaed of the Weald
Universal
Living Rosary Association http://philomena.org/rosary.asp
Our
Lady of the Rosary Library http://olrl.org/sacramental/rosary.shtml
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